Thursday, January 31, 2013

Who Wants to Be a Curator?

Who Wants to Be a Curator?

The reason why i picked this article was because i wanted to know what curating was..what do curators do? Everyone seems like curator if they have a blog, twitter etc. The article talks about how everyone can be a curator but a traditional curator is one that needs to be able to “contextualize the work within its historical and socioeconomic framework." 
Programs are set up in major parts of the word to teach students about curating and what it takes to be a curator and how they know a lot then the knowledge of art to be a curator.

Aakash Nihalani's Isometric Street Art: Blurring The Line Between 2D And 3D Worlds

Aakash Nihalani's Isometric Street Art: Blurring The Line Between 2D And 3D Worlds 


 The reason why i chose this quick short article was because i actually got the chance to meet Aakash when he was first starting out on the streets of New York City. Its amazing how he can make a flat 2D surface look like its actually a 3D sculpture. Using his quick works of simple patterns and bright colored tape is why I'm attracted towards his work. Also click the link to see more photos of his amazing work.

 

 

 

 

An Introduction



Where to begin. For starters i'm an Art History major with a minor in History. My relationship with Art truthfully was never something important to me until the beginning of high school, where I became incredibly attached to my camera. Before that, I never once pictured myself liking photography, and had very little appreciation of the medium, until my parents gave me one one fateful summer. But before I knew it, I was getting compliments here and there, and then I began to play with different techniques, and eventually, I was hooked!

Despite my love of photography though, I never wanted to pursue a career in it. I completely lack the ability to express myself in any other medium, but photography just comes natural to me. I love when I get the shot I want, I love coming up with ideas and trying new things, but I realized that the more I saw photography as a career, the more distant I became with it. Which leads me to my interest in Art History.

I've always been fascinated by history, I always scold people whenever they say its boring, since its far from it. There is nothing boring about the rise and fall of empires, there is nothing boring about learning about the lives of people during war, and there is nothing boring about the atrocities civilizations have done for centuries. Art History specifically the time of the Renaissance of course despite my expectations, became something that I began to deeply like, since now along with learning about the history of the time period, I could create an endless cycle of artists who worked with an important historic figure, who knew another historic figure, etc,etc.Then there is obviously the artworks themselves which for some like Da Vinci's "The Last Supper" have a ridiculous story to it, while others like Van Eyck's "Arnolfini Portrait" are decked out in symbolism.

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Galleries Outside of the Gallery

The norm for galleries these days are decent size spaces with white walls and some hipster behind a desk clicking away at a Mac. It is a contemporary version of a library, but what if artists' work did not call for a traditional gallery space  maybe it could a dark tunnel, the street or an abandoned train however it may be place it increases the audiences interaction with the installation oppose to some security telling you to back away from the work. Here are ten unusual gallery spaces.


Strange Gallery Spaces

All about Jen

I'm Jennifer Vazquez, a super senior (5th year) Bachelors of Fine Arts Painting/Drawing major at New Jersey City University. I've been drawing and painting since I was a little girl and I have always wanted to become an artist. Mission accomplished. I am currently working on my BFA thesis show, so watch out for that! I paint primarily in oils but I love multi-media arts so I can't wait to experiment more with future works.

I'm an English tutor on campus and have been doing that for about two years. As you can see, I have a lot of interests. I liked tutoring English so much that I started to write for NJCU's newspaper The Gothic Times and now I'm the Arts and Entertainment section editor! So I do all those things now: painting, editing, tutoring. Right now I'm interning as an assistant for artist Sherry Camhy.  Among other responsibilities I act as a her teacher's assistant in her classes at the Art Student's League, The School of Visual Arts, and her private workshops in her studio.

I grew up very conscious of the environment and have always loved school, so I eventually started the Environmental Club at NJCU. I was president of it for about two years and now it still exists. Because of this I studied abroad last summer in Costa Rica for the GREEN Program and learned all about renewable energy sources. I also studied abroad in India as part of a cultural Immersion program. Basically, what you can get from all this is that I love art, travel, school, and helping people. Those are all my crazy unrelated things that I do that really make me me!  
Me at my studio working on my BFA 
Photo by boyfriend


P.S. My twitter handle is @jen_vazquez and here is a link to all my articles from The Gothic Times

Jennifer's articles


Should Artist Become Entrepreneurs?

The reason for a gallery is to display artists' work to the masses but more importantly to seek the attention of the art collectors and buyers who dish out  large amounts of capital on some exclusive pieces. It is quite sad to say that most artist are so focused on their work that they don't truly understand the business end of things, thats why they seek out art dealers and curators. What would this do to galleries if artist took a course and figured out the business aspect and really got the true value of their work and just simply cut out the middle-man.

Artist Entrepreneurs

Jennifer Vazquez: gallery management resources

Hi guys this is Jennifer Vazquez.

One of my two resource links is actually a YouTube video called "Thomas P. Campbell: Weaving Narratives in Museum Galleries." He is a director at the MET and in this 16 minute video he talks about two major exhibitions he curated. You can see what type of questions arise in the mind of a curator and how each exhibition requires a fresh perspective!

Thomas P. Campbell

This second link is to a New York Times article discussing the globalization of the art world and how that affects the curator's job. It discusses the emergence of global curating.

"The Fine Art of Being a Curator"

Enjoy!