Friday, March 8, 2013

MOMA "Behind the Scenes" Analysis


MOMA Experience

On our trip to MOMA I was expecting to just walk through the museum with a guide not really getting a “behind the scenes” look. We met Steven Wheeler who is a registrar at MOMA, his duties are to handle and care of the art works, and also supervise any show that is being installed, right way we got to experience VIP treatment.  He took use to the Design gallery, which is his specialty. He was showing us the new installation being put up by a woman [] who acquires piece from around the world that have a unique function and bring a new innovation to design. When looking at these pieces I was reminded of the Bauhaus school. Steven was walking through with us the whole installation processes; we went over the technology, the positioning of the works, the lighting (ambient and natural) and how that factors in the show.
Steve also introduced use to this new feature and a first in the MOMA the integration of video games as and aspect of art and design. He went on father by stating technology and computers are being used so much that it can be in the arts and its true the video game installation which are screens windowed into the wall will either be on a loop or have viewer interaction. This was interesting to me as is something galleries in the future might take part of more viewer interaction and participation with the art.
I appreciated the information he provided in terms of funding, that particular Gallery was named after a collector/donor. He went to mention big corporations and enterprises are big with the arts and are collectors as well that give pieces on loan to MOMA. I was under the impression that MOMA was funded by the city and admission but its main source of income are these collectors and organizations that in turn get their name on a gallery.

Lastly he took us to gallery dedicated to Dieter Roth, here I asked question to Steve like display and casing and how the curator decides what piece gets displayed in a frame on a wall or on the case, also the importance of no flash photography in the gallery which he provided solid answers to.

Overall MOMA is an established contemporary art museum, focusing on the community but really trying to reel in collectors and buyers so there can be exchange to an exhibit or collection.  The job of the curator is much more difficult due to high responsibility of pieces that are being handled, however some pieces if damage can be touched up but like Steve mention they try to avoid any accidents towards the art work. Being behind the scenes I have a greater respect for the people who work in this million-dollar industry.



Massoud Hassani. Mine Kafon wind-powered deminer. 2011
Mine Kafon wind-powered deminer
Massoud Hassani (Dutch, born Afghanistan 1983)
2011. Bamboo and biodegradable plastics, 87 x 87 x 87" (221 x 221 x 221 cm). Gift of the Contemporary Arts Council of the Museum of Modern Art


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